QUESTION 121
You have an RGB image open. In the layers panel, you have added a Curves adjustment layer above your image layer, but you would like to limit this adjustment to only the yellow tones of the image. What should you do?

A.    Adjust only the Blue curve in the Adjustment panel.
B.    Select the adjustment layer’s mask in the layer panel and use the Masks panel’s Color Range option to select only the yellow.
C.    Add a Selective adjustment layer, and link it to the Curves adjustment layer.
D.    Copy the yellow channel in the channels panel, and paste it into the Curves adjustment layer mask.
If you adjust only the blu curve you change everything except the yellow color

Answer: B

QUESTION 122
You are correcting color in a photograph of a person. You want to increase saturation in the clothing without oversaturating the model’s skin tone. What should you do?

A.    Add to Exposure adjustment layer, and adjust the Gamma Correction slider
B.    Add a Hue/Saturation adjustment layer, select Colonic and adjust the Saturation slider
C.    Add a Vibrance adjustment layer, and adjust the Vibrance slider
D.    Add a Color Balance adjustment layer, select Preserve Luminosity, and adjust the color sliders

Answer: C

QUESTION 123
On the Mac OS, which should you choose to group all the workspace elements in a single, integrated window?

A.    View > Show > None
B.    Window > Application Frame
C.    Window > Workspace > Basic
D.    View > Screen Mode > Standard Screen Mode

Answer: B

QUESTION 124
You are copying artwork from Adobe Illustrator and pasting it into Photoshop. Which should you choose from the Paste options so that you create a layer that can be opened and edited in Illustrator?

A.    Smart Object
B.    Pixels
C.    Path
D.    Shape Layer

Answer: A

QUESTION 125
When you view a 32-bit HDR image, what is the function of the 32-Bit Preview slider at the bottom of the document window?

A.    It sets the white point of the image data in preparation for downsampling to a 16-bit or 8-bit image
B.    It sets the white point of the 32-bit image data as you make edits in 32-bit mode
C.    It lets you see different segments of the total dynamic range of the image, since a monitor can’t display the entire dynamic range at once
D.    It adjusts the highlight compression of a 32-bit image

Answer: C

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QUESTION 111
Why might you want to adjust vignetting in the Custom tab of the Lens Correction filter? (Choose two.)

A.    To draw the viewers’ attention to the center of a photograph.
B.    To reduce the dark corners in a photograph shot with a wide-angle lens.
C.    To increase the contrast from dark to light vertically (top to bottom) or horizontally (left to right) in
the image.
D.    To correct vertical or horizontal perspective in a photograph.
E.    To apply a radial gradient that frames the subject of a photograph.

Answer: AB

QUESTION 112
You have a photograph open and have opened the Basic view of the Smart Sharpen dialog box. You notice that your adjustments have added too much noise in the shadow areas. You switch to Advanced view. What should you do there?

A.    Increase the Fade Amount setting in the Shadow tab.
B.    Change the Remove option to Lens Blur in the Sharpen tab.
C.    Check the More Accurate option in the Sharpen tab.
D.    Decrease the Fade Amount setting in the Highlight tab.

Answer: A

QUESTION 113
You have an image file currently open in Photoshop. You select the thumbnail of a different image file in the Mini Bridge panel and choose Tools > Place > In Photoshop. What happens?

A.    The selected image is placed in the open file as a smart object layer above the current image layer.
B.    The selected image is placed in the open file as a pixel layer above the current image layer.
C.    The selected image replaces the current layer or Background layer in the open file.
D.    The selected image is opened in a new tab in the Document window.

Answer: A

QUESTION 114
You are on a Windows computer, and you want to use a Photoshop plug-in that works only in 32- bit mode. How do you run Photoshop CS5 for Windows as a 32-bit application?

A.    Install both a 32-bit and a 64-bit version of Photoshop. Switch between them by quitting one version
of Photoshop and launching the other.
B.    Right-click the Photoshop application icon, and choose Properties from the context menu.
C.    Change the Display mode of your monitor to a lower resolution.
D.    Allocate more RAM to Photoshop in Photoshop preferences.

Answer: A

QUESTION 115
Which color space contains the widest color gamut?

A.    ProPhoto RGB
B.    Adobe RGB (1998)
C.    Color Match RGB
D.    sRGB IEC61966-2.1

Answer: A

QUESTION 116
You want to open a JPEG directly into Camera Raw to adjust it there. What should you do? (Choose two.)

A.    In Adobe Bridge, select the JPEG thumbnail and press Control+R (Windows) or Command+R (Mac OS)
B.    In Adobe Bridge, hold down Option (Mac OS) or Alt (Windows) and double-click the JPEG thumbnail.
C.    In Adobe Bridge, select the JPEG thumbnail and then choose File > Place > In Photoshop.
D.    In Photoshop, choose File > Open, select the JPEG file, set the Format menu to Camera Raw, and
click Open.
E.    In Photoshop, navigate to the JPEG file in Mini Bridge and double-click its thumbnail.

Answer: AD

QUESTION 117
You’ve adjusted a raw photograph in Camera Raw, and you’d like to create a small copy of the adjusted photograph as a JPEG to attach to an email. Which is the best workflow to follow?

A.    In Camera Raw, click the Open Image button. Then, in Photoshop, open the Save for Web & Devices
dialog box, and set the format to JPEG, reduce the file size, and click Save.
B.    In Camera Raw, click the Save Image button, and save as JPEG. Then open the file in Photoshop,
resize it in the Image Size dialog box, and save as JPEG.
C.    In Camera Raw, click the Save Image button, and save as JPEG. Then open the file in Photoshop,
open the Save for Web & Devices dialog box, and set the format to JPEG, reduce the file size, and
click Save.
D.    In Camera Raw, click the Save Image button, and save as JPEG. Then select the file in Mini- Bridge,
choose Tools > Photoshop > Image Processor, and resize and save as JPEG from there.

Answer: A

QUESTION 118
You have selected the Mixer Brush tool. You want to sample multiple colors from the current image to load in the brush’s paint reservoir. What should you do?

A.    Hold the Alt (Windows) or Option (Mac OS) key as you click on the photograph in the document window.
B.    Turn on the Load the Brush After Each Stroke button in the Options bar.
C.    Hold the Shift key as you click on the photograph in the document window.
D.    Switch to the photograph layer and hold the Shift key as you click on the photograph in the document window.

Answer: A

QUESTION 119
You are using the Merge to HDR command to combine several images. Which Bit Depth will support the full range of luminance values of an HDR image?

A.    8 Bit/Channel
B.    16 Bit/Channel
C.    24 Bit/Channel
D.    32 Bit/Channel

Answer: D

QUESTION 120
You want to convert a photograph to gray cycle. When you choose image>Mode>gray cycle, the different areas of image appear too similar in tone. Which method should you use to get better results?

A.    Add a Black & White adjustment layer.
B.    Use Hue/Saturation or Curves to adjust the image’s color range before converting to grayscale.
C.    Choose Image > Adjustments > Desaturate.
D.    Choose Filter > Convert for Smart Filters before converting to grayscale.

Answer: A

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QUESTION 101
You would like to insert a graphic created in Adobe Illustrator into your Photoshop image. You want to maintain it as vector art so it can be later resized without losing any quality. What should you do?

A.    Choose File > Scripts > Load Files into Stack.
B.    Open Illustrator, copy the graphic to the clipboard, switch to Photoshop and choose Edit > Paste.
Select Shape Layer in the Paste dialog box.
C.    Choose File > Place.
D.    Export the file from Illustrator as a PNG, and open it in Photoshop.

Answer: C

QUESTION 102
You want to open a raw image from your digital camera in Photoshop using the Camera Raw dialog box. You want to be able to return to the Camera Raw dialog box later to make edits. What should you do in the Camera Raw dialog box to enable this?

A.    Click the underlined Workflow Options text at the bottom of the Camera Raw dialog box, and select
Open in Photoshop as Smart Objects.
B.    Alt-click (Windows) / Option-click (Mac OS) the Open Image button.
C.    Alt-click (Windows) / Option-click (Mac OS) the Save Image button.
D.    Click the Open Image button to open the image in Photoshop, and then choose Layer > Smart
Objects > Convert to Smart Object.

Answer: A

QUESTION 103
Which statement about alpha channels is correct?

A.    Alpha channels allow you to store and edit selections as grayscale masks.
B.    Alpha channels are preserved when saving images in the JPEG format.
C.    Alpha channels are always constructed as vector paths.
D.    Alpha channels store color as well as grayscale information.

Answer: A

QUESTION 104
You have an RGB photograph of a bright red balloon. Which statement accurately describes the appearance of the balloon’s pixels in the red color channel?

A.    If Show Channels in Color is deselected in the Preferences dialog box, the pixels will be shades of
light gray.
B.    If Show Channels in Color is deselected in the Preferences dialog box, the pixels will be shades of
dark gray.
C.    If Show Channels in Color is selected in the Preferences dialog box, the pixels will be shades of cyan.
D.    If Show Channels in Color is selected in the Preferences dialog box, the most red pixels will appear
almost black.

Answer: A

QUESTION 105
You’re working on a two-color annual report using black and a Pantone spot color. You have a grayscale image in Photoshop, and you want to add the Pantone color as a tint to the shadows areas. Which feature should you use?

A.    Channels panel
B.    Layers panel
C.    Filters menu
D.    Swatches panel

Answer: A

QUESTION 106
You have a color image that you want to convert to grayscale. You would like to use a Black & White adjustment layer to accomplish that, but it is unavailable in the Adjustments panel. What might be the cause of that?

A.    The image is in CMYK mode.
B.    The currently selected layer is a shape layer.
C.    The currently selected layer is a type layer.
D.    The image is in 16 Bits/Channel mode.

Answer: A

QUESTION 107
What does the Photomerge feature use to blend multiple photographs into a multi-layered panorama?

A.    Layer masks
B.    Adjustment layers
C.    Layer blending modes
D.    Layer comps

Answer: A

QUESTION 108
You are trying to merge photos into a panorama, but Photomerge is having trouble aligning your photos. What amount of overlap is optimal when shooting photographs for Photomerge to best align them?

A.    About 10%
B.    About 25%
C.    About 40%
D.    About 70%

Answer: C

QUESTION 109
You are adjusting a combined HDR image in the Merge to HDR Pro dialog box, using the Local Adaptation tone-mapping method. You want to add contrast between the shadow and highlight areas of the image. Which control should you adjust?

A.    The Gamma slider
B.    The Exposure slider
C.    The Vibrance slider
D.    The Radius slider

Answer: A

QUESTION 110
Which lens-related errors can be corrected in the Auto Correction tab of the Lens Correction filter?

A.    Geometric Distortion, Chromatic Aberration, and Vignette
B.    Lens flare, Geometric Distortion, and Chromatic Aberration
C.    Lens flare, Chromatic Aberration, and Vignette
D.    Dust spots, Geometric Distortion, and Vignette

Answer: A

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QUESTION 91
You have ten files that you would like to be able to access frequently. You would like to create a collection that you can view in Mini Bridge. You select the files in Mini Bridge and drag them on top of the Collections item in the Mini Bridge Navigation area. What happens?

A.    Mini Bridge creates a new collection that contains those files.
B.    Mini Bridge creates a smart collection that contains those files.
C.    Nothing. You can’t create a new collection in Mini Bridge.
D.    Mini Bridge creates a new folder on your Desktop that contains those file.

Answer: C

QUESTION 92
You have an RGB image that you want to convert to CMYK. Your print service bureau has given you a custom ICC profile for their printing conditions that differs from your current Photoshop Color Settings. Which feature should you use to convert to CMYK?

A.    Choose Edit > Convert to Profile.
B.    Choose Edit > Assign Profile.
C.    Choose Image > Mode > CMYK.
D.    Choose Edit > Color Settings, and choose the Custom CMYK option from the CMYK menu.

Answer: A

QUESTION 93
You are dragging a panel toward the edge of the monitor where you have docked other panels. Which key should you hold down as you drag to prevent this panel from docking with the other panels?

A.    The Alt key (Windows) or Option key (Mac OS)
B.    The Shift key
C.    The Esc key
D.    The Ctrl key (Windows) or Command key (Mac OS)

Answer: D

QUESTION 94
You are creating a custom workspace that facilitates the way you like to work. Which parameters can you save as part of your custom workspace, other than panel locations? (Choose two.)

A.    Custom keyboard shortcuts
B.    Current color management settings
C.    Your CS Live setup
D.    Menu changes
E.    Changes to Preferences

Answer: AD

QUESTION 95
You are working on a system with two monitors, and you have two documents open as tabbed documents on the main monitor. You want to display one of the documents on the second monitor for easier reference, so you can see both at the same time. What should you do?

A.    Hold down Alt (Windows) or Option (Mac OS) and double-click on the document’s tab.
B.    Turn off the Open Documents as Tabs preference.
C.    Click the document’s tab, and drag to the second monitor.
D.    Choose Window > Arrange > Tile.

Answer: C

QUESTION 96
You want to quickly hide all panels and menus and switch the area outside the canvas to black.
What should you do?

A.    Press Command-F (Mac OS) or Ctrl+F (Windows) twice.
B.    Choose View > Proof Setup > Custom.
C.    Choose Full Screen Mode from the Application bar’s Screen Mode menu.
D.    Press F1 twice.

Answer: C

QUESTION 97
You are sharpening a photograph, and you want to preview the sharpening at 100% view for greatest accuracy. How can you display the photograph at 100% in the document window? (Choose two.)

A.    Choose View > Actual Pixels.
B.    Double-click the Zoom tool in the Tools panel.
C.    Double-click the Hand tool in the Tools panel.
D.    Press Ctrl+0 (Windows) or Command+0 (Mac OS).
E.    Select Scrubby Zoom in the Zoom tool Options bar, and drag in the image.

Answer: AB

QUESTION 98
You have selected part of an image and chosen Layer > New > Layer via copy. What will happen if you adjust the opacity of the new layer to 50%?

A.    The image will remain the same.
B.    The image will get lighter.
C.    The image will get darker.
D.    The image contrast will be reduced.

Answer: A

QUESTION 99
Which task can you accomplish by adjusting the Fill slider in the Layers panel?

A.    Change the opacity of both a selected layer and that layer’s drop shadow layer effect
B.    Reduce the opacity of more than one selected layer but not their drop shadow layer effects
C.    Reduce the opacity of the Background layer
D.    Change the effect of a Smart Filter on a selected layer

Answer: B

QUESTION 100
You have a flattened image that is 8.5″ x 11″ at 300ppi. You want to reduce the image in Photoshop to be half as wide and tall. However, you want to maintain the option to enlarge the file to full size and quality again. What should you do before scaling with the Image Size feature?

A.    Choose Layer > Smart Objects > Convert to Smart Object.
B.    Choose Edit > Free Transform.
C.    Choose Image > Canvas Size.
D.    Choose Edit > Content Aware Scale.

Answer: A

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QUESTION 81
You’ve used the Custom Shape Tool to create a vector shape layer. You want the shape to have a soft, blurry edge, but you want to be able to edit the vector paths later. What should you do?

A.    While the Vector Mask thumbnail is selected in the Layers panel, adjust the Feather slider in the
Masks panel.
B.    While the Layer thumbnail is selected in the Layers panel, choose Filter > Blur > Gaussian Blur.
C.    While the Layer thumbnail is selected in the Layers panel, choose Select > Modify > Feather.
D.    While the Vector Mask thumbnail is selected in the Layers panel, choose Edit > Free Transform,
and then choose Filter > Blur > Gaussian Blur.

Answer: A

QUESTION 82
You’ve created a shape layer and would like to alter the curves that make up the shape without rasterizing the mask. Which techniques allow you to accomplish this? (Choose two.)

A.    Use the Direct Selection tool.
B.    Choose Edit > Transform Path > Distort.
C.    Use the Path Selection tool.
D.    Choose a filter from the Filter > Distort menu.
E.    Choose Edit > Puppet Warp.

Answer: AB

QUESTION 83
You have the Mixer Brush tool selected in the Tools panel. What does the Wet slider in the options bar control?

A.    How much paint the brush picks up from the canvas
B.    How much of the foreground color the brush uses
C.    How much of the background color the brush uses
D.    How much the brush tip is cleaned after each stroke

Answer: A

QUESTION 84
Bristle Tip brush tips work with which tools? (Choose two.)

A.    Mixer Brush tool
B.    Dodge tool
C.    The Gradient tool
D.    The Pen tool
E.    The Healing Brush tool

Answer: AB

QUESTION 85
You want to fill an area of your CMYK image with a process color equivalent of a color from a
Pantone swatch book. Which Photoshop features help you do this? (Choose two.)

A.    Choose New Spot Channel from the Channels panel menu, click the color icon and choose a color
from the Select Channel Color dialog box.
B.    Choose Select > Color Range and select the Localized Color Clusters checkbox.
C.    Click the foreground color picker then click the Color Libraries button in the Color Picker.
D.    Choose a library of swatches presets from the Swatches panel menu then click the color in the panel.
E.    Choose Lab sliders from the Color panel menu and then choose a color in the panel.

Answer: CD

QUESTION 86
You want to sample a color from a website to use as the foreground color in Photoshop. You have the website visible in a web browser and both the web browser and Photoshop are visible on your screen. What should you do?

A.    Click and hold with the Eyedropper tool in the Photoshop document window, drag from there to your
web browser, and release your mouse over the color you want.
B.    Select the Eyedropper tool, then hold the Alt key (Windows) or Option key (Mac OS) as you click
on the color in the web browser.
C.    Select the Eyedropper tool, then hold the Shift key as you click on the color in the web browser.
D.    Select the Color Sampler tool, then click on the color you want in the Web browser.

Answer: A

QUESTION 87
You want to apply a Shadows/Highlights adjustment to a layer in your document. You want to be able to change the adjustment without causing further degredation to the image later. You have selected the layer selected. What should you do to prepare the image, before you choose the command Image > Adjustments > Shadows/Highlights? (Choose two.)

A.    Choose Filter > Convert for Smart Filters.
B.    Duplicate the layer, and select the duplicate layer.
C.    Choose Convert to Smart Object from the Layers panel menu.
D.    Click the Add a Mask button at the bottom of the Layers panel.
E.    Click Brightness/Contrast in the Adjustments panel to add a new Brightness/Contrast adjustment layer.

Answer: AC

QUESTION 88
You’ve applied a filter to a layer as a Smart Filter. Now you want to reduce the strength of that filter’s effect. How can you do that? (Choose two.)

A.    Double-click the Edit Blending Options icon in the Layers panel, and adjust the opacity.
B.    Choose the filter from the Filter menu and adjust the values to the desired strength.
C.    Double-click the name of the Smart Filter in the Layers panel, and adjust the filter options.
D.    Select the Smart Filter in the Layers panel, and choose Edit > Fade.
E.    Select the layer in the Layers panel, and adjust the Opacity slider.

Answer: AC

QUESTION 89
You have the Gradient Tool selected. You want to draw a gradient in your image and set the transparency level at a particular point in the gradient. What should you do?

A.    Add a new layer, draw the gradient on the new layer, and set the opacity of the layer.
B.    Change the value in the Opacity field of the Options bar before drawing the gradient.
C.    Click on the gradient in the Options bar to open the Gradient Editor dialog box, click just above the
gradient bar and change the value in the Opacity field.
D.    Click on the gradient in the Options bar to open the Gradient Editor dialog box, double-click on a color
stop below the gradient bar, and adjust the color in the color picker.

Answer: C

QUESTION 90
You plan on filling a layer with a noise gradient. The initial gradient you create in the Gradient Editor has too many overly saturated colors. What can you do in the Gradient Editor to reduce the
saturation of colors in the gradient?

A.    Change the Roughness setting.
B.    Select the Restrict Colors option.
C.    Change the Color Model pop-up menu to LAB
D.    Select the Add Transparency option.

Answer: B

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QUESTION 71
You want to import an image as a Smart Object into the currently active document in Photoshop.
What should you do to accomplish this?

A.    Choose File > Place.
B.    Choose Layer > Smart Objects > Convert to Smart Object.
C.    Choose Layer > Smart Objects > New Smart Object Via Copy.
D.    Choose File > Open as Smart Object.

Answer: A

QUESTION 72
You have one image open in Photoshop and a second image file on your desktop. When you drag the image file from the desktop onto the open document in Photoshop, what happens?

A.    The second image is placed on its own layer as a Smart Object.
B.    The two images are flattened into a single layer.
C.    The second image opens as a new tab in the document window.
D.    The second image is resampled to match the image size and resolution of the first image.

Answer: A

QUESTION 73
You photographed a building interior, and because of the wide tonal range of the original scene, you used your camera settings to expose one photograph for the light areas of the room and another photograph for the dark areas of the room. You want to select portions of the light image and copy them to their corresponding location in the dark image. After you select and copy the pixels, what should you do?

A.    Choose Edit > Paste
B.    Choose Edit > Paste Special > Paste In Place
C.    Choose Edit > Paste Special > Paste Into
D.    Choose Edit > Paste Special > Paste Outside

Answer: B

QUESTION 74
You make a selection with the Rectangular Marquee tool in one image and use Edit > Copy to place it on the clipboard. You want to ensure the copied selection is placed into the upper left corner of a different image. After using the Rectangular Marquee tool to select that area, what should you do?

A.    Choose Edit > Paste
B.    Choose Edit > Paste Special > Paste In Place
C.    Choose Edit > Paste Special > Paste Into
D.    Choose Layer > New > Layer via Copy

Answer: C

QUESTION 75
You select a layer and want to apply a style to it that you know is found in the Web Styles preset library. This library is not currently visible in your Styles panel. What should you do?

A.    Choose Web Styles from the Styles panel menu.
B.    Choose Preset Manager from the Styles panel menu.
C.    Open the Layer Style dialog box from the Layer > Layer Styles menu, and click the New Style button.
D.    Choose File > Open, then navigate to the Presets > Styles menu, inside the Photoshop application folder.

Answer: A

QUESTION 76
You selected the first layer in the Layers panel, clicked on a style in the Styles panel, and then used the Layer Style dialog box to modify the style. Now you want to use that customized style on several other layers in the same image. What should you do?

A.    Hold down the Alt (Windows) / Option (Mac OS) key while you drag the fx icon from the first layer to
each of the other layers.
B.    Click the first layer, and choose Edit > Copy. Then, select the layers and choose Edit > Paste.
C.    Click the first layer, and choose Edit > Copy. Then select the layers and hold down the Ctrl key (Windows)
or Command key (Mac OS) as you choose Edit > Paste.
D.    Select the layers, then drag the fx icon from the first layer to the selection.

Answer: A

QUESTION 77
You’re creating several preliminary designs for a client. You’d like to store all the design variations within a single Photoshop document so you can present the design ideas to a client with just a few mouse clicks. Which feature is best suited to accomplish this task?

A.    Window > Layer Comps
B.    Layer > Layer Style
C.    Window > Workspace
D.    Edit > Preset Manager

Answer: A

QUESTION 78
You want to create a new layer comp in the Layer Comps panel. You want the layer comp to remember each layer’s blending mode. What should you do?

A.    Select Appearance (Layer Style) in the New Layer Comp dialog box
B.    Select Visibility in the New Layer Comp dialog box
C.    Click the Update Layer Comp button before selecting New Layer Comp
D.    Choose Layer > Layer Style > Copy Layer Style before selecting New Layer Comp

Answer: A

QUESTION 79
You photograph a model against a green screen. You want to remove the green screen from the image. You’ve added a layer mask, which is currently filled with white, to the image layer, and you’ve targeted the layer mask thumbnail on that layer. With which color should you paint on the layer mask to hide the green screen in the image?

A.    Black
B.    White
C.    Red
D.    50% Gray

Answer: A

QUESTION 80
You have a photograph of a product shot against a white background. You want to remove the white background. You select the white area with the Magic Wand tool, choose Select > Invert, and then click the Add Layer Mask button in the Layers panel. You notice that some of the white backdrop is still visible around the subject. What should you do in the Masks panel to remove the white pixels along the edge?

A.    Click the Mask Edge button, then adjust the Shift Edge slider.
B.    Click the Mask Edge button, then adjust the Contrast slider.
C.    Click the Color Range button, then adjust the Fuzziness slider.
D.    Adjust the Feather slider in the Masks panel.

Answer: A

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QUESTION 61
You’ve spent a lot of time making a complex selection. How can you retain the selection for future use? (Choose two.)

A.    Choose Select > Save Selection.
B.    Choose Select > Similar Layers.
C.    In the Channels panel, click Save selection as channel.
D.    In the Channels panel, click Load channel as selection.
E.    In the Paths panel, click Make work path from selection.

Answer: AC

QUESTION 62
You made a selection with the Elliptical Marquee tool. You want to move the selection boundary to the right. How can you move the selection without moving or changing the image? (Choose two.)

A.    With the Elliptical Marquee tool, click and drag inside the selection boundary.
B.    With the Polygonal Lasso tool, click and drag inside the selection boundary.
C.    With the Move tool, click and drag inside the selection boundary.
D.    With the Move tool selected, press the arrow keys on your keyboard.
E.    With the Move tool selected, hold down the Shift key and drag.

Answer: AB

QUESTION 63
You’ve made an initial selection around an egg in an image, using the Elliptical Marquee tool. Which command should you use to reshape the selection so it better fits the egg?

A.    Select > Transform Selection
B.    Edit > Free Transform
C.    Edit > Transform > Distort
D.    Edit > Transform > Skew
E.    Select > Modify > Border

Answer: A

QUESTION 64
You have a photo of a woman in front of a green background. You’ve made a good selection around her hair, but you still see a fringe of green from the background at the edges of the hair.
Which is the best way to minimize that fringe?

A.    Select Decontaminate Colors in the Refine Edge dialog box.
B.    Use a Hue/Saturation Adjustment layer to reduce saturation.
C.    Choose Select > Transform Selection, and contract the bounding box.
D.    Choose Image > Adjustments > Replace Color.

Answer: A

QUESTION 65
You have a photo of a woman against a blue sky. You want to select the woman to use against another background. Which feature is most likely to help you create a selection that captures both the wispy strands of her hair and the smooth edge of her skin?

A.    The Refine Edge dialog box
B.    Soft Light blending mode
C.    The Magic Wand tool
D.    Blend If sliders

Answer: A

QUESTION 66
You want to print a digital photograph on a professional desktop inkjet printer. You have a custom ICC profile for your printer, paper, and ink combination. In the Color Management area of the Print dialog box, which option will allow you to choose your custom ICC profile for use in printing?

A.    Photoshop Manages Colors
B.    Printer Manages Colors
C.    Separations
D.    Proof Setup

Answer: A

QUESTION 67
You want to print a photograph from Photoshop to an inkjet printer so that the print simulates how it will be reproduced on a commercial printing press. Which option in the Print dialog box should you select?

A.    Proof
B.    Separations
C.    Match Print Colors
D.    Show Paper White

Answer: A

QUESTION 68
Which statement best describes the Proof Colors feature in Photoshop?

A.    It displays an on-screen preview of how your document’s colors will look when reproduced on a
particular output device.
B.    It can print a contact sheet that includes your currently open images or the currently selected colors
in the Swatches panel.
C.    When active, it displays a gray overlay indicating colors that are out of gamut.
D.    It is used for visually calibrating and testing the accuracy of a monitor and monitor profile.

Answer: A

QUESTION 69
You’re soft-proofing an RGB image with an ICC profile used for newspaper reproduction. You select the Simulate Paper Color option in the Customize Proof Condition dialog box. What happens?

A.    The highlights in your document are adjusted to match the white of the paper.
B.    You’re prompted to select the appropriate paper color from the Color Picker.
C.    The highlights in your document appear brighter and more saturated.
D.    The brightness of the user interface elements is dimmed for an accurate image preview.

Answer: A

QUESTION 70
You have placed an Adobe Illustrator document as a smart object inside your Photoshop image.
What editing can you do to the art in Photoshop?

A.    Scale and rotate
B.    Edit the paths
C.    Turn on and off Illustrator layer visibility
D.    Change fill and stroke colors of the vector objects

Answer: A

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QUESTION 51
You want to add a white, 20 pixel border around all four outside edges of a flattened photograph.
What should you do?

A.    Choose Select > All. Then choose Edit > Stroke. Set the stroke Location to Outside, the Width to
20 px, the Color to white, and the Blending Mode to Normal. Click OK.
B.    Choose Image > Canvas Size. Then select the Relative checkbox, select the center anchor square,
set Width and Height to 40 pixels, and choose White as the Canvas Extension Color.
C.    Choose the Line tool. In the Options bar, set the Color to white and Weight to 20 px. Switch to the
Rectangle tool, and drag diagonally from one corner of the photograph to the opposite corner.
D.    Set the Foreground color to white. Choose Image > Image Size. Deselect Constrain Proportions,
choose pixels as the unit of measurement, add 40 to both the Width and Height fields, and click OK.

Answer: B

QUESTION 52
You want to reshape a photograph from landscape (horizontal) to portrait (vertical) orientation using the Content-Aware Scale command. What should you do to ensure important details in the image are not distorted?

A.    Click the Lock Image Pixels button in the Layers panel.
B.    Copy the important details to a new layer before you choose Edit > Content Aware Scale.
C.    Make a selection around the important areas before you choose Edit > Content Aware Scale.
D.    Select an alpha channel in the Protect menu in the Options bar.

Answer: D

QUESTION 53
You have a photograph of a skyscraper in which the building appears tilted to the left. You’d like to straighten the building vertically and crop away any resulting transparent pixels in as few steps as possible. What should you do?

A.    Drag the Ruler tool along the edge of the skyscraper; then click the Straighten button in the Options bar.
B.    Drag the Ruler tool along the building edge; then choose Image > Image Rotation > Arbitrary.
C.    Drag the Crop tool over the image, rotate the bounding box so that one edge is in line with the building
edge, and press Enter (Windows) or Return (Mac OS).
D.    Hold down the Alt (Windows) or Option (Mac OS) key while dragging the Line tool along the building
edge; then press Enter (Windows) or Return (Mac OS).

Answer: A

QUESTION 54
You’re using the Crop tool to crop a photograph of a building. The Crop Guide Overlay menu in the Options bar is particularly useful for which tasks? (Choose two.)

A.    Displaying a grid you can use as a guide for fixing the building’s distorted perspective.
B.    Improving the composition of the photograph with reference to the Rule of Thirds.
C.    Adding crop and trim marks to the photograph for printing.
D.    Changing the orientation of the photograph from landscape to portrait.
E.    Enlarging the canvas size to make room for a caption under the photograph.

Answer: AB

QUESTION 55
You need to add copyright metadata to hundreds of images. Which is the most efficient way to do this?

A.    Create an action in Photoshop.
B.    Use a metadata template in Bridge.
C.    Choose File > Automate > Batch in Photoshop.
D.    Use the File Info dialog box in Bridge.

Answer: B

QUESTION 56
You want a list of edits performed on an image to automatically travel with the image file for future reference. What should you do?

A.    Choose Preferences > General. Select History Log > Save Log Items To > Metadata.
B.    Choose History Options from the History panel menu, and choose Automatically Create New Snapshot
When Saving.
C.    Choose File > File Info. Then select the History tab and click Import.
D.    Choose File > Scripts > Scripts Event Manager

Answer: A

QUESTION 57
When you save a layered image in Photoshop (PSD) format, the Photoshop Format Options dialog box appears. By default, the Maximize Compatibility option selected. Why might you leave
Maximize Compatibility selected?

A.    To allow older versions of Photoshop to open a flattened composite of the layered file.
B.    To preserve the appearance of layer masks and alpha channels in the document.
C.    To reduce the file size of the document by compressing layer data.
D.    To preserve the editability of text and vector objects within the document.

Answer: A

QUESTION 58
You have a layered document that contains both vector and raster elements. You want to place it in a page-layout program for printing on a printing press. Which format should you choose to ensure vector elements print at the highest quality?

A.    Photoshop PDF
B.    Photoshop PSD
C.    TIFF
D.    JPEG

Answer: A

QUESTION 59
You have a photo of a red car on a mountain road. You need to select the car to use with a different background. Which tool is the quickest and most effective one for selecting the car?

A.    The Quick Selection tool
B.    The Magic Wand tool
C.    The Selective Color command
D.    Quick Mask Mode

Answer: A

QUESTION 60
You’re using a photo of a leafy green tree against a light blue sky as an illustration for a magazine article. You want to make the sky more blue. Which is the best way to select the sky, including the sky between the leaves?

A.    Use the Magic Wand tool to select most of the sky, and then choose Select > Similar.
B.    Use the Quick Selection tool to select most of the sky, and then choose Select > Grow.
C.    In Quick Mask Mode, paint the sky between the leaves.
D.    Use the Magic Wand tool to select most of the sky, and then use the Patch tool to select the sky between
the leaves.

Answer: A

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QUESTION 41
You want to adjust the brightness of the lightest highlights in a raw photograph. Which control should you use in Camera Raw?

A.    Exposure
B.    Brightness
C.    White Balance
D.    Contrast

Answer: A

QUESTION 42
You are adjusting a photograph in the Camera Raw dialog box. You have darkened the top of the image by dragging the Graduated Filter tool from the top to the bottom of the image, and then decreasing the Brightness slider. Now you want to lighten the bottom of the photograph. What should you do?

A.    Option-click (Mac OS) or Alt-click (Windows) the red circle icon in the graduated filter you’ve applied
to the image; then increase the Brightness slider.
B.    Click the + (plus) button to the right of the Brightness slider; then increase both the Brightness and
Exposure sliders.
C.    Increase the Brightness slider, click the New button, and drag the Graduated Filter tool from the
bottom to the top of the photograph.
D.    Drag the Graduated Filter tool from the bottom to the top of the photograph; then increase the
Brightness slider.

Answer: D

QUESTION 43
A speck of dust on your camera lens has caused a spot on a raw photograph. In Camera Raw,
you select the Spot Removal tool and click on the spot. The spot is now covered with another unpleasant color so you want to change the pixel sampling area. What should you do?

A.    Click on a different area of the photo.
B.    Drag the green-and-white ring.
C.    Delete the Spot Removal tool edits you’ve made, and start over.
D.    Alt-click (Windows) or Option-click (Mac OS) on a different area of the photo.

Answer: B

QUESTION 44
Adobe Camera Raw 6 includes controls for reducing which kinds of digital noise? (Choose two.)

A.    Luminance noise
B.    JPEG artifacts
C.    Color noise
D.    Color banding
E.    Color dithering

Answer: AC

QUESTION 45
You’ve adjusted a raw photograph in Camera Raw. Now you are ready to open the image in Photoshop to add some text. However, you want to be able to quickly bring the image from Photoshop back into Camera Raw to change your Camera Raw adjustments. What should you do?

A.    Click the Save Image button in Camera Raw; then open the saved file directly in Photoshop.
B.    Click the Done button in Camera Raw; then open the file directly in Photoshop.
C.    Hold down the Shift key to change the Open Image button to Open Object, and click that button.
D.    Hold down the Option (Mac OS) or Alt (Windows) key and click the Done button.

Answer: C

QUESTION 46
You are using the Hand tool to pan around a large image. You release the mouse, but the image continues to scroll. How can you disable this feature?

A.    Hold down the Alt key (Windows) or Option key (Mac OS) while scrolling.
B.    Turn off Enable Flick Panning in the Preferences dialog box.
C.    Turn off Animated Zoom in the Preferences dialog box.
D.    Replace the video card with one that supports Open GL.

Answer: B

QUESTION 47
You’re making a new file in which to create a banner ad for a website. Which settings should you choose in the New dialog box?

A.    Width: 728 pixels, Height: 90 pixels, Resolution: 72 pixels/inch, Color ModE:RGB Color, 8 bit
B.    Width: 1024 pixels, Height: 768 pixels, Resolution: 72 pixels/inch, Color Mode:RGB Color, 16 bit
C.    Width: 14.2 inches, Height: 2.8 inches, Resolution: 72 pixels/inch, Color Mode:LAB Color, 8 bit
D.    Width: 10.7 inches, Height: 2.1 inches, Resolution: 72 pixels/inch, Color Mode:CMYK Color, 8 bit

Answer: A

QUESTION 48
You are creating a document that will be printed on a commercial offset printing press. The printer has asked that you provide your images at 1.5 times the halftone screen and stated that the job will be printed at 150 LPI. The job will be 8×10 inches plus a .125-inch bleed. Which settings should you choose as you create the new document?

A.    Width: 8.125 inches, Height: 10.125 inches, Resolution: 300 ppi, ColorMode:CMYK Color
B.    Width: 8.25 inches, Height: 10.25 inches; Resolution: 300 ppi, ColorMode:CMYK Color
C.    Width: 8.25 inches, Height: 10.25 inches; Resolution: 225 ppi, ColorMode:CMYK Color
D.    Width: 8.125 inches, Height: 10.125 inches; Resolution: 150 ppi, ColorMode:LAB Color

Answer: C

QUESTION 49
You want to upsample a photograph to a higher resolution. Which interpolation method in the
Image Size dialog box is likely to give you the best result?

A.    Bicubic Smoother
B.    Bilinear
C.    Bicubic Sharper
D.    Nearest Neighbor

Answer: A

QUESTION 50
You have 20 images of varying sizes and resolutions. You want to adjust each one to be 5×7 inches at 300 ppi. Which tool will allow the fastest processing of the images?

A.    The Rectangular Marquee tool
B.    The Direct Selection tool
C.    The Crop tool
D.    The Quick Selection tool

Answer: C

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QUESTION 21
You have a document with multiple layers. One of the layers contains an arrow, drawn with the Line tool. You want to modify the path that defines the arrow, but the path is not visible in the Paths panel. What is the most likely reason for this?

A.    The shape layer is not selected in the Layers panel.
B.    Vector masks do not appear in the Paths panel, only in the Layers panel.
C.    The vector mask must be converted to a selection before it can be edited.
D.    Only paths, not shape layers, appear in the Paths panel.

Answer: A

QUESTION 22
You are correcting color in a photograph of a person. You want to increase saturation in the clothing without over saturating the model’s skin tone. What should you do?

A.    Add an Exposure adjustment layer, and adjust the Gamma Correction slider.
B.    Add a Hue/Saturation adjustment layer, select Colorize, and adjust the Saturation slider.
C.    Add a Vibrance adjustment layer, and adjust the Vibrance slider.
D.    Add a Color Balance adjustment layer, select Preserve Luminosity, and adjust the color sliders.

Answer: C

QUESTION 23
You have added a Curves adjustment layer to an RGB photograph and made several adjustments. You want to see if any highlight areas of the image have been clipped to white or fully saturated color. What should you do?

A.    Hold Alt (Windows) or Option (Mac OS) as you click and hold the white eyedropper tool in the
Adjustments panel.
B.    Hold Alt (Windows) or Option (Mac OS) as you click and hold the white triangle located below
the curve in the Adjustments panel.
C.    Select the white eyedropper tool in the Adjustments panel, and click and hold on the image.
D.    Hold Alt (Windows) or Option (Mac OS) as you click and hold on any of the points you have placed
on the curve.

Answer: B

QUESTION 24
Your photographer included a photo gray card in every photo during a product shoot. You want to remove a color cast from one of the photos with a Curves adjustment. What should you do in the Curves dialog box?

A.    Double-click the black point Eyedropper tool, set Brightness to 50%, then click on the gray card
in the image.
B.    Select the On-image adjustment tool, click on the gray card, and drag up or down until the color
becomes neutralized.
C.    Select the gray point Eyedropper tool and click it on the gray card in the image.
D.    Click the Options button to open the Auto Color Correction Options dialog box, then select Snap
Neutral Midtones and click OK.

Answer: C

QUESTION 25
You want to increase the saturation of an image, but the colors that are already saturated get oversaturated when you use a Hue/Saturation adjustment layer. What should you do to avoid this?

A.    Lower the opacity of the Hue/Saturation adjustment layer.
B.    Set the blending mode of the Hue/Saturation adjustment layer to Color.
C.    Lower the Lightness setting in the Hue/Saturation adjustment layer.
D.    Use a Vibrance adjustment layer instead of a Hue/Saturation adjustment layer.

Answer: D

QUESTION 26
You have opened a JPEG image from a camera and you want to make some adjustments with Curves. You want to be able to make more Curves edits in the future without further degrading the image quality. What should you do?

A.    Choose Curves from the Adjustments panel menu.
B.    Choose Image > Adjustments > Curves.
C.    Choose Filter > Convert for Smart Filters.
D.    Use Save As to save the file as a Photoshop PSD, and then choose Image > Adjustments > Curves.

Answer: A

QUESTION 27
You shot a series of photographs in the same light. You want to make Curves adjustments in one image and then apply them to all the other images. What should you do in the first image?

A.    Choose Curves from the Adjustments panel menu.
B.    Choose Convert to Smart Object from the Layers panel menu before choosing Image > Adjustments > Curves.
C.    Choose Filter > Convert for Smart Filters before choosing Image > Adjustments > Curves.
D.    Choose Image > Adjustments > Curves, make the adjustments, then click the Options button and select
the Save as Defaults checkbox.

Answer: A

QUESTION 28
You have an RGB image open. In the Layers panel, you have added a Curves adjustment layer above your image layer, but you would like to limit this adjustment to only the yellow tones of the
image. What should you do?

A.    Adjust only the Blue curve in the Adjustments panel.
B.    Select the adjustment layer’s mask in the Layers panel, and use the Masks panel’s Color Range option.
C.    Add a Selective Color adjustment layer, and link it to the Curves adjustment layer.
D.    Copy the yellow channel in the Channels panel, and paste it into the Curves adjustment layer mask.

Answer: B

QUESTION 29
You added a Levels adjustment layer and experimented with different settings. Now you want to start over again with the default settings. What should you do?

A.    Click the Auto button in the Adjustments panel.
B.    Choose Reset Levels from the Adjustments panel menu.
C.    Choose Reset Styles from the Styles panel menu.
D.    Click the Previous State icon in the Adjustments panel.

Answer: B

QUESTION 30
Click the Exhibit button. You want to lighten and bring out detail in the dark statue in this photograph without making the sky too light. You add a Curves adjustment layer and set an anchor point on the curve to protect the highlights. What should you do next?

A.    Select the On-image Adjustment tool in the Adjustments panel. Then click on a dark tone in the
statue and drag vertically.
B.    Select the Black Eyedropper tool in the Adjustments panel. Then click on a dark tone in the statue
and drag vertically.
C.    Select the Gray Eyedropper tool in the Adjustments panel. Then click on a dark tone in the statue
and drag horizontally.
D.    Select the White Eyedropper tool in the Adjustments panel. Then hold the Alt key (Windows) or
Option key (Mac OS) as you click on a dark tone in the statue and drag horizontally.

Answer: A

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QUESTION 11
You have an image that is too dark. You duplicate the image layer. Which is the best layer
blending mode to apply to the duplicate layer to lighten the image overall?

A.    Screen
B.    Soft Light
C.    Dissolve
D.    Lighter Color

Answer: A

QUESTION 12
You opened a flattened image, duplicated the Background layer, and set the copy to the Multiply blending mode. Now the image is too dark. What should you do?

A.    Reduce layer opacity.
B.    Choose Edit > Fade.
C.    Choose Image > Adjustments > HDR Toning.
D.    Create an adjustment layer.

Answer: A

QUESTION 13
Which action best describes the process for creating a paragraph of text that can wrap to fit a defined rectangular area?

A.    Drag diagonally with the Type tool, then start typing.
B.    Double-click with the Type tool, then start typing.
C.    Select an area with the Rectangular Marquee tool, then click in it with the Type tool and start typing.
D.    Select an area with the Slice Tool, hold down Option (Mac OS) or Alt (Windows) when you click with
the Type tool, then start typing.

Answer: A

QUESTION 14
You have a Photoshop document containing a type layer. You want to change the typeface of that text from Arial to Verdana. The Horizontal Type tool is the active tool, and the type layer is selected in the Layers panel. Which feature lets you do this?

A.    The Options bar (Window > Options).
B.    Window > Paragraph.
C.    The Layer Properties dialog box.
D.    Edit > Find and Replace Text.

Answer: A

QUESTION 15
Which statement about vector graphics is true?

A.    Vector graphics are resolution independent and can be printed at any size without loss of quality.
B.    Vector graphics contain fine detail and sharpness and are most commonly used for photo reproduction.
C.    Vector graphics are limited in the range of colors they can reproduce.
D.    Vector graphics can be used only with four-color printing processes.

Answer: A

QUESTION 16
You have a type layer in your Photoshop document. Which of these require rasterizing the layer?

A.    Apply Edit > Transform > Perspective
B.    Kern two letters closer together
C.    Use the Warp Text feature
D.    Add type along a Bezier path.

Answer: A

QUESTION 17
Click the Exhibit button. Which tool should be selected in the Tools panel to see these features in the Options bar?

A.    Move tool
B.    Rectangular Marquee tool
C.    Path Selection tool
D.    Line Tool

Answer: D

QUESTION 18
Which statement is true about resizing a shape layer using the Edit > Free Transform Path command?

A.    The shape remains a vector so the quality cannot degrade.
B.    You must select the path with the Path Selection tool first.
C.    Holding the Ctrl (Windows) / Command (Mac OS) key while resizing will preserve the shape’s height/width ratio.
D.    You can hold down Alt (Windows) or Option (Mac OS) and double-click to edit the shape in Illustrator.

Answer: A

QUESTION 19
You’ve drawn a path and would like to modify the position of individual points on the path. Which tool should you use to accomplish this?

A.    The Direct Selection tool
B.    The Path Selection tool
C.    The Add Anchor Point tool
D.    The Convert Point tool

Answer: A

QUESTION 20
You have drawn a path using the Pen tool. You want to save this path before creating a new path. What should you do?

A.    Nothing. It is automatically saved in the Paths Panel.
B.    Deselect the path.
C.    Double-click the work path name in the Paths Panel.
D.    Click the Create new path button at the bottom of the Paths Panel.

Answer: C

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QUESTION 1
When creating a Web Photo Gallery through Adobe Bridge, how does the application handle the
color management of images in the gallery?

A.    All images are converted to sRGB IEC61966-2.1, and the color profile is embedded.
B.    All images are converted to Adobe RGB (1998), and the color profile is embedded.
C.    Image files are not converted during processing, but Color Settings are changed to sRGB IEC61966-2.1.
D.    Image files are converted to the current monitor profile, and the color profile is not embedded.

Answer: A

QUESTION 2
You want to create a Flash-based photo gallery that you can place on your web site. The photographs should appear like postcards scattered on a dark gray background. What are the first steps you should take?

A.    Select the images in Adobe Bridge and switch to the Output workspace.
B.    Select the images in the Mini Bridge panel and select Slideshow from the Preview menu in the panel.
C.    Open the images in Photoshop and choose File > Automate > Photomerge
D.    Open the images in Photoshop and choose File > Scripts > Load Files into Stack

Answer: A

QUESTION 3
You have added a layer mask to a single-layer file so that the image fades gradually from full opacity to fully transparent. You want to export this as a web graphic. In the Save for Web & Devices dialog box, which settings will best preserve the transparency in the optimized version of the image?

A.    PNG-24 file format with the Transparency option checked
B.    GIF file format with the Transparency option checked
C.    JPEG file format with Matte color set to None
D.    WBMP file format with the Diffusion option selected

Answer: A

QUESTION 4
You’re optimizing a Photoshop file for the web as a JPEG. The metadata in the PSD file contains several keywords. Which option in the Metadata menu in the Save for Web & Devices dialog box should you choose to preserve the keywords in the optimized JPEG file?

A.    All Except Camera Info
B.    None
C.    Copyright
D.    Copyright and Contact Info

Answer: A

QUESTION 5
You are slicing a web page layout. You draw one slice with the Slice tool, and Photoshop fills in the surrounding areas with automatically-generated auto slices. When you click on one of those other slices with the Slice Select Tool, it does not highlight with position handles. What should you do to display the position handles?

A.    Double-click the slice with the Slice tool.
B.    Ctrl-click (Windows) or Command-click (Mac OS) with the Slice Select Tool.
C.    Choose the Move tool and select Show Transform Controls in the Options bar.
D.    Click the Promote button in the Options bar.

Answer: D

QUESTION 6
Which circumstance is a prerequisite to using the Layer > New Layer Based Slices command to make a separate slice around each web button in a web page navigation bar?

A.    Each web button must be located on a separate layer.
B.    There must be a separate layer comp for each web button.
C.    None of the web button layers can be shape layers.
D.    None of the web button layers can be type layers.

Answer: A

QUESTION 7
You are working on an image with a single layer. You want to put part of the image on its own layer so you can add a drop shadow layer effect to it. You make a selection of that part of the image. What should you do next?

A.    Click the New Layer button on the Layers panel.
B.    Choose Layer > Layer Style > Drop Shadow.
C.    Choose Layer > New > Layer.
D.    Choose Layer > New > Layer via Copy.

Answer: D

QUESTION 8
You want to lock all properties of a layer so it can’t be moved, but still be able to paint on the layer. Which button should you select in the Layers panel?

A.    A
B.    B
C.    C
D.    D

Answer: C

QUESTION 9
Click the Exhibit button. This document contains three layers, each with a same-sized graphic. You want equal space between each graphic. All three layers are selected in the Layers panel, and the Move tool is selected. What should you do?

A.    Choose Tile All Horizontally from the Arrange Documents menu in the Application Bar.
B.    Choose File > Automate > Fit Image.
C.    Choose Layer > Align > Horizontal Centers.
D.    Choose Layer > Distribute > Horizontal Centers.

Answer: D

QUESTION 10
You have a file with multiple layers. All layers are currently visible. You want to view the content of only one layer temporarily. Which is the best way to do this?

A.    Alt-click (Windows) / Option-click (Mac OS) the eye icon next to the layer.
B.    Drag the layer onto the image in the document window.
C.    Copy the layer, and paste it into a new file.
D.    Select the layer, and choose Layer > Merge Visible.

Answer: A

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